Gate time Theory
Part-1: Opening
My writing here is based on what I learned at school (State Conservatoire).
According to the way we work: If there is no slur or articulation on the note, the two notes are slightly separated from each other. But not with of 95% value!.
In fact, the musician does this easily.
However, if you want a machine to do this operation by giving certain rules, everyone's interpretation will be different.
Theory:
For Quarter and lower note values: (For values greater than the Quarter note, this may differ. We'il discuss this later.)
Suppose the value for Slur, and Tenuto is 100%. (1000 in the Musescore's piano-roll editor.)
A lower level of this value will be "Tenuto with Dot"; We can give it 90%. (900 in piano-roll)
In this case, the duration value of the normal note must be around 80% ~ 85% (800 ~ 850 in piano-roll)
For Staccato, values from 50% to 60% are suitable. (500 ~ 600 in piano-roll)
For Stacatissimo, values between 30% and 40% are suitable. (300 ~ 400 in piano-roll)
Table:
+------------------+-------+--------+ | Exp. | Value | P.Roll | +------------------+-------+--------+ | Legato (*1) | 1.05% | 1050%. | | Full/Slur/Tenuto | 1.00% | 1000%. | | Tenuto+Staccato | 0.90% | 900%. | | Normal Gate Time | 0.80% | 800%. | | Staccato | 0.50% | 500%. | | Stacatissimo | 0.35% | 350%. | +------------------+-------+--------+ *1: Overlap required. |
Please try it out, and write your feedback.
Part-2: Duration values longer than the base beat.
We've talked about the quarter note and the lower values. (I assume the time signature is x/4)
Now, let's talk about the longer notes than the base duration.
Half note includes two quarters:
Dotted Half note contains three quarters:
Whole note contains four quarters:
And the Gate-time should only be applied to the last Quarter, not to the whole duration: (in 4/4 or x/4)
*: "oh" indicates the last quarter note with (reduced) gate time.
Table (Updated)
+----------------+--------+-------------------+-----------------+ | | Ticks | Ticks | MuseScore | | | Duration |(Normal)|(Gated)| 1000th | Expl.(MS 1000th)| +----------------+--------+-------+-----------+-----------------+ | Whole Note | 1920 | 1824 | 0.950 | 0.750 + 0.200 | | Half Note | 960 | 864 | 0.900 | 0.500 + 0.400 | | Quarter Note | 480 | 384 | 0.800 | 0.800 | +----------------+--------+-------+-----------+-----------------+ | Dotted Half | 1440 | 1344 | 0.933 | 0.667 + 0.266 | | Dotted Quarter | 720 | 672 | 0,933 | (Based on: 8th)| | Dotted Eighth | 360 | 336 | 0.933 | (Based on: 16th)| | Dotted 16th | 180 | 168 | 0.933 | (Based on: 32th)| +----------------+--------+-------+-----------+-----------------+ | 4th | 480 | 384 | 0.800 | 0.800 | | 8th | 240 | 192 | " " | (Based on: 8th)| | 16th | 120 | 96 | " " | (Based on: 16th)| | 32nd | 60 | 48 | " " | (Based on: 32nd)| | 64th | 30 | 24 | " " | (Based on: 64th)| | 128th | 15 | 12 | " " | (Based on:128th)| +----------------+--------+-------+-----------+-----------------+ | Double dotted | ... | ... | ... | | | 4.. | 840 | 816 | 0.971 | (Based on: 4th)| | 8.. | 420 | 408 | " " | (Based on: 8th)| | 16.. | 240 | 204 | " " | (Based on: 16th)| | 32.. | 120 | 102 | " " | (Based on: 32th)| | 64.. | 60 | 51 | " " | (Based on: 64th)| +----------------+--------+-------+-----------+-----------------+ | Triplet | ... | ... | ... | | | (each one) 1t!| 1280 | 1166 | 0.911 | (Based on: 2t)| | " " " 2t | 640 | 576 | 0.900 | (Based on: 2t)| | " " " 4t | 320 | 256 | 0.800 | (Based on: 4t)| | " " " 8t | 160 | 128 | 0.800 | (Based on: 8t)| | " " " 16t | 80 | 64 | 0.800 | (Based on: 16t)| +----------------+--------+-------+-----------+-----------------+ *MIDI TPQ is 480 **TPQ: Ticks per Quarter. ! "1t" is only possible in 8/4 |
If you've noticed, all the dotted notes for Musescore (1000th) are 933%.
Please note that we are talking theoretically and that all tables change when the base values change.
Please try it out, and write your feedback.
In the next part, we will compare the playing times of base duration values in note writing software such as Sibelius, Finale and Encore.
Part-3: Gate-time comparison between software:
The Sibelius software doesn't use any gate-time at all. Whatever you write is playing full length (100%).
The Encore software is using a gate-time. The time is equal to one-nine of the note you wrote (90%).
I couldn't examine the Finale, because I don't have it. I tested it with the Finale NotePad 2012 instead. The behavior of this software is somewhat surprising. Because the notes -as if there were a legato- a bit overlap. (105%)
The Band-in-a-Box uses a default note duration as one-eight (80%). This is clearly stated in the help file. According to his comments, "Notes are not always played for their full duration. If a whole note is inserted with a duration of 80%, the note would play for 80% of 4 beats = 3.2 beats."
In fact, based on the base note duration (in this example= Quarter), this is incorrect. However, this applies only to those that are equal to and lower than the base note duration (metronome).
I think (maybe) it's commercial concerns that the four software behaves differently.
- Finale: while trying to earn more customers by playing more legato,
- Sibelius: does this as a full-duration note.
- Encore: seems to have made a small optimization (although not very high market share).
- Band-in-a-Box: seems to be using the ideal gate-time value. (the market share of this software is very high. However, it is a {chord and style} accompaniment software rather than dedicated to writing musical score {engraving}.)
Table
+---------------+------+-------------+ | | Gate | my | | Software | Time | comment | +---------------+------+-------------+ | Finale | 105% | ? | +---------------+------+-------------+ | Sibelius | 100% | not opt'd | +---------------+------+-------------+ | Encore | 90% | litte opt'd | +---------------+------+-------------+ | Band-in-a-Box | 80% | ideal | +---------------+------+-------------+ |
If you have another note-writing software that you are using, you can add the gate-time values below (as a comment).
(or: also export as a MIDI file and send to me)
(or: also export as a MIDI file and send to me)
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